Haunt by: Sophia Chimenti and Jessica Schaechinger

According to the Oxford English Dictionary, haunt is defined as “frequenting, visitation by fears, suspicions, imaginary beings, spirits, etc.” According to Merriam-Webster Dictionary, haunt is defined as “to stay around or persist”. However, the best definition of haunt comes from dictionary.com, of which haunt is defined as, “to recur persistently to the consciousness of; remain with.” Considered together, these definitions suggest that being haunted involves a lesson or idea of which lingers until resolved or uncovered. In the literary works The Woman Warrior by Maxine Hong Kingston and Mean by Myriam Gurba, haunting describes lingering ghosts or stories used to teach lessons.

According to the Oxford English Dictionary, the word haunt does not have a clear origin: “it is unclear whether the earliest sense in French and English was to practise habitually, (an action etc.) or to frequent habitually (a place). The order here is therefore provisional.” In addition, according to Merriam-Webster, the word haunt comes from “the Middle English, from Anglo-French hanter, probably from Old Norse heimta to lead home, pull, claim, from heimr home.” According to etymonline.com, the definition “spirit that haunts a place, ghost” was first recorded in 1843, in stereotypical African-American vernacular. It has now been developed into a more frightful term, as the word haunt today is related to ghosts, ghouls, and being haunted by someone or something. The word haunt is also tied in with the idea of learning a lesson or taking something important out of the experience, thus the idea of being “haunted” by the things we do and the decisions we make.

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The word Haunting is used to demonstrate people who hold an impact that follows one throughout their life. In texts such as The Woman Warrior and Mean, both speakers begin their own memoirs talking about another person’s story. Because these stories are reiterated throughout the memoirs, it shows how the authors have been impacted so heavily by these ghosts. In The Woman Warrior by Maxine Hong Kingston, the ghost that Kingston is haunted by is her lost aunt, who got pregnant at a young age, and passed away, and her family chose to leave her in the past and essentially forget about her, until Kingston’s mother told her story. In Mean by Myriam Gurba, she is haunted by the story of Sophia Torres, a girl who was raped and murdered at a young age, and the news article only described her as “transient”. These stories and ghosts haunt the authors because they are constantly reminded of them throughout their daily life.

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In Maxine Hong Kingston’s The Woman Warrior, the word haunting is used to portray many life lessons.  For example, in the first chapter “The No Name Woman,” Kingston speaks about how her aunt and her story of being shunned haunts her all the time. She states, “My aunt haunts me- her ghost drawn to me because now, after 50 years of neglect, I alone devote pages of paper to her,” (16). Because this story has been told to her by her mother, the ghost of her aunt now haunts her. The story of the no name aunt comes about when Kingston’s mother is trying to teach her about becoming a woman. This idea of a haunting emerges when Kingston’s mother states, “You must not tell anyone what I am about to tell you”(1). By telling Kingston this story, her mother is allowing the ghost of the no name aunt to emerge upon Kingston in order to teach her what not to do when becoming a woman. From telling her this story, this ghost of her no name aunt now lingers in the back of her mind, haunting her thoughts. She even writes the story down on paper for the world to read- something of which she was not supposed to do. By writing this down, she allows the ghost of her aunt to now haunt others, almost as if she is trying to bring justice to her aunt’s memory. This idea of being haunted by her aunt’s memory ties into the subtitle of the book: The Woman Warrior: Memoirs of a Girlhood Among Ghosts. This subtitle allows us to see into Kingsotn’s past, and how she grew up around the idea of ghosts and being haunted by stories in order to understand the world around her. Alongside this definition, Kingston’s memoir portrays how negative it can feel to be surrounded by ghosts. Kingston states, “ The Chinese are always very frightened of the drowned one, whose weeping ghost, wet hair hanging and skin bloated, waits silently by the water to pull down a substitute,” (16) which shows that the haunting lessons of these stories is what scared the Chinese the most. The Chinese feared these hauntings, as these stories were passed down to teach them the fear of what would happen if they disobeyed or did something their family or village did not approve of. Using the word haunt in two different contexts and connotations allows the reader to see how the word can be used to motivate people to learn about the past, and to teach lessons for the future as well.

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In Myriam Gurba’s memoir Mean, she discusses her life, and stories that followed her throughout it. The first chapter “Wisdom” is the story of the brutal rape and murder of Sophia Torres. Since this novel is a memoir, it is strange that it opens with a story of someone else; however, in this chapter Gurba mentions that “Sophia is always with me. She haunts me. Guilt is a ghost.” (Gurba 3). Gurba opening her memoir with this story conveys to the reader how much the story of Sophia haunts her. The audience can continue to see this haunting throughout the novel. Gurba tells the audience about Ana Mendieta’s artwork, focusing on siluetas. Gurba wonders when she looks at the siluetas if  “she was a psychic. I wonder if she made these for Sophia” (Gurba 116). This quotation allows the reader to see just how much she was thinking about Sophia, and how Sophia’s story haunts her. Gurba then repeats “Guilt is a ghost. Guilt is a ghost. Guilt is a ghost.” (Gurba 116). This phrase has already been mentioned, but in this chapter it she repeats it three times. The importance of this phrase is to convey how Gurba’s life is interrupted by painful memories, but not only her memories. Her life and stories are also haunted by Sophia’s story, and all other women who have faced this abuse. 

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Kingston uses the word haunt to give insight to the ways of the Chinese culture and how she learns to navigate life through stories passed down and the ghosts that linger from them and haunt her throughout her life. Gurba uses the word  haunt in order to allow the reader to feel the weight of past stories and guilt on their shoulders; she allows them to feel and notice the lingering messages of her stories in the background. In today’s world, not many people believe in ghosts or the idea of hauntings. However, haunting is very prominent in literature, especially in these memoirs, as it allows us to see how past choices affect our future decisions. Both of these works of literature give insight to the versatile definitions of haunt and show the different aspects of which they affect people from, proving there is a deeper meaning to this word.

Works Cited

Gurba, Myriam. Mean. Coffee House Press, 2017.

“Haunt.” Dictionary.com, Dictionary.com, https://www.dictionary.com/browse/haunt

“Haunt.” Merriam-Webster, Merriam-Webster, 24 Nov. 2019,   

https://www.merriam-webster.com/dictionary/haunt

“Haunt (v.).” Online Etymology Dictionary , Online Etymology Dictionary ,   

             www.etymonline.com/word/haunt

Kingston, Maxine Hong. The Woman Warrior; Memoirs of a Girlhood Among Ghosts, Vintage                 International Edition, 1989.

“Baby, It’s Cold Outside”… but not rapey Jessica Schaechinger

Original Lyrics:

I really can’t stay (but baby, it’s cold outside) I’ve got to go away (but baby, it’s cold outside)

This evening has been (been hoping that you’d drop in)

So very nice (i’ll hold your hands, they’re just like ice)

My mother will start to worry (beautiful what’s your hurry?)

My father will be pacing the floor (listen to the fireplace roar)

So really I’d better scurry (beautiful please don’t hurry)

But maybe just a half a drink more (put some records on while I pour)

The neighbors might think (baby, it’s bad out there)

Say what’s in this drink? (no cabs to be had out there)

I wish I knew how (your eyes are like starlight now)

To break this spell (i’ll take your hat, your hair looks swell)

I ought to say, no, no, no sir (mind if I move in closer?)

At least I’m gonna say that I tried (what’s the sense in hurtin’ my pride?)

I really can’t stay (oh baby don’t hold out)

But baby, it’s cold outside

I simply must go (but baby, it’s cold outside)

The answer is no (but baby, it’s cold outside)

Your welcome has been(how lucky that you dropped in)

So nice and warm (look out the window at this dawn)

My sister will be suspicious (gosh your lips look delicious)

My brother will be there at the door (waves upon the tropical shore)

My maiden aunts mind is vicious (gosh your lips are delicious)

But maybe just a cigarette more (never such a blizzard before)

I’ve gotta get home(but baby, you’d freeze out there)

Say lend me a coat(it’s up to your knees out there)

You’ve really been grand (i thrill when you touch my hand)

But don’t you see? (how can you do this thing to me?)

There’s bound to be talk tomorrow (think of my lifelong sorrow)

At least there will be plenty implied (if you got pnuemonia and died)

I really can’t stay (get over that old out)

Baby, it’s cold

Baby, it’s cold outside

Found Poem:

I really can’t stay, I’ve got to go away. 

This evening has been, so very nice.                                                     Beautiful, you hurry home

My father will be pacing the floor, so really I’d better scurry

 Beautiful please do hurry

But maybe just a half a drink more

Beautiful, you hurry home, it’s bad out there

But baby, it’s cold out there

   You simply must go, I’ll get you a cab.  You’d freeze out there, I’ll lend you a coat

You’ve really been grand, I’ll see you and talk tomorrow

Artist’s Statement:

For my found poem, I used the song “Baby It’s Cold Outside”. This song has always made me feel uncomfortable, but it wasn’t until a few years ago that I realized it was a song about sexual assault. Just for a brief understanding, this song is about a girl, who seems to be young, mentioning her parents; with a man. As she tells him she must get home, he tries to convince her to stay by stating that it is cold outside, offering her more to drink, possibly drugging the drink, and kissing her. I cut a lot from this song, mainly the male’s parts, to try and make this song about a girl who must go home, and a man agreeing, and helping her out. I rearranged some of the words in order to form completely new lines for the man to show that he is trying to get the girl home. For the women’s perspective, seeing how in the original song she was drunk and he was convincing her to stay, I decided to have the women complain about the cold, but show the man doing the responsible and respectful thing by calling her a cab to get her home. The spacing I used was to differentiate the speaker, alternating between the male and female. I thought that it was very important to keep two speakers in this poem because it shows diversity in the language and still keeps a storytelling base. As I was working on the poem, all I was thinking is how creepy the original artist was, and just how I could change this to make it more of a lesson, showing what the right thing to do in that situation would be. I learned from this that when taking words in context, if you don’t like what it says, then change the context

The Changes of Dreams and Goals. Jessica Schaechinger

By this point we all know that an overall theme of Lorraine Hansberry’s “A Raisin in the Sun” is dreams, and how important dreams can be. Walter’s dream of owning a liquor store, Beneatha’s dream of being a doctor, dreams of Travis going to college, and even Mama’s dream of a garden. All of these dreams play important roles in the plot of the story but the one that catches my attention most is Beneatha’s dream, or her childhood dream of being a doctor. 

At the beginning of Act III, Beneatha is clearly upset and letting it out to Asagai when he comes to help them pack, she is upset because Walter has chosen to invest the money. We as readers finally get to understand why Beneatha wants to be a doctor, “I wanted to cure. It used to be important to me. I wanted to cure. It used to matter. I used to care. I mean about people and how their bodies hurt…” (133). This quotation shows a lot more depth to her character, and the reason she was so determined to become a doctor, it was her dream as a child and as a child she cared more about people. This moment in the play stuck out to me as one of the sadder moments. It shows that Beneatha is growing up, and losing her childhood ideals, “Children see things very well sometimes” (133). 

Throughout the play, Beneatha has come off very mature, educated, and carried herself as if though she was better than those around her. For example, when she told Mama “…God is just one idea I don’t accept” (51). Beneatha quickly got put in her place after disrespecting Mama and her household, however she was not sorry, and she still had the nerve to say it. The reason she believes this is because she was more educated than the rest of the family, so she does have different opinions. However, all Beneatha’s talk/attitude about being educated and mature is uncovered in the first moments of Act III, she realizes her dream was just that of a child, and she doesn’t really care about the same things as much as she once did. 

Another huge change seen in Beneatha is her attitude about marriage from the beginning of the play to the end. “…I’m not worried about who I’m going to marry yet- if I ever get married…Oh I probably will, but first I’m going to be a doctor…” (50). Beneatha was one of my favourite characters in the play because of this line, she is so focused on her childhood dream that she isn’t worried about getting married until she accomplishes this. However her view on this changes by the end of the play. Eventually Beneatha decides she will become a doctor and move to marry Asagai in Africa, “To go to Africa, Mama- be a doctor in Africa…” (150). The reader gets to see a growth in her character throughout the play, from an immature younger sister with a dream, lots of sass, and a holier than thou attitude, to a mature women, with a goal and a future. 

Discussion Questions:

  1. How did Beneatha’s views of herself and things around her change throughout the play?
  2. Have your dreams and goals changed from your childhood to now? How and Why?

Hi, I’m Jessie!

I’m from Warwick, NY. My favorite book is “Lord of the Flies”, I love Shakespeare, and I love to write poetry, narratives, etc.

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